Current Concert Repertoire \ Our current concert repertoire (2007-2008) rotation of selections are marked with an asterisk* below.
Comprehensive Repertoire List (past and present) Nola/Arndt AWoL/Becker Girlfriends: A Medley/Becker Newthaan-Lahara/Becker* Palta/Becker Prisoners of the Image Factory/ Becker Back Talk/Breuer One Last Bar then Joe Can Sing/Bryars Shadow Chasers/Burritt Timeless/Burritt She is Asleep/Cage* Third Construction/Cage Different But One Body/Choi (world premiere) Armando's Rhumba/Corea, Arr. Saleh Quartet in G minor/Debussy, trans. Romanski* Panic/Dietz (world premiere) Sharpened Stick/Dietz Lullaby for Esme/Engelman Stubernic/Ford Log Cabin Blues/Green Ragtime Robin/Green Rainbow Ripples/Green Valse Brillante/Green The Persistence of Past Chemistries/Griffin Stamino Sosti/Hamilton (world premiere)* José / beFORe JOHN5/Holló 39 – The Dream of the Manichaeian - beFORe JOHN3/ Holló* Song for the Mountain Stream/Hung Chien-Hui* Marimba Quartet/Levitan* Pattern Transformations/Ligeti Marimba Spiritual/Miki Rondo Alla Turca/Mozart, Arr. Saleh Etude (Op. 11, No. 4)/Musser, Arr. Saleh Clapping Music/Reich Drumming/Reich Music for Pieces of Wood/Reich Nagoya Marimbas/Reich Terpsichorus/Saleh (world premiere)* Echoes/Skidmore* Palindromes/Soldiviero Omphalo Centric Lecture/Westlake Blue Identity/Wu (US premiere)
Commissions: To The Nines/Burritt Panic/Dietz (co-commissioned with Peter Martin) Stamino Sosti/Hamilton
Dedications: ExitiX Novum/Saleh (2007 PAS Composition Contest 2nd Place Winner)
Through the arts organization, Young Audiences of New Jersey, we have presented over 200 concerts for children and their parents at schools, museums, and theatres all across the Garden State since Spring 2002. The Exit 9 Percussion Group's Young Audiences program is a whirlwind tour of the different facets of percussion playing. Throughout the program, several different styles of music, instruments, and concepts are demonstrated and discussed, including taiko-based drumming from Japan, afro-Cuban rhythms, pitched versus non-pitched percussion instruments, extended techniques and found objects, west and east African playing, steel pan, rudimental drumming, and more. Natural and informal interaction with the audience, along with participation segments where some students get to play with the group on stage combine to make an Exit 9 program a memorable one for anyone in the audience.
"Marimba Spiritual" by Minoru Miki/ arr. Mike Ramsey -An aggressive fanfare that brings the group on stage
"Strike, Scrape, Shake" -A demonstration of the three primary ways to produce sound on percussion instruments usingafro-cuban rhythms
"Sinfonia No. 13 in A Minor" by J. S. Bach/arr. Peter Saleh -The introduction of pitched percussion in the form of the marimba and vibraphone using the universally familiar material of Johann Sebastian Bach.
Sound Study by Peter Saleh -A co-mingling of pitched and non-pitched percussion that also presents several extendedtechniques and special effects unique to percussion.
Audience Participation: "Guinea or Ghana: Hands on the Jembe" -Getting volunteers on stage to give jembe a try.
"Dibon" traditional/ arr. Mike Ramsey -Putting the jembe techniques demonstrated during the participation segment into use within a West African context..
"Amadinda" Traditional -Demonstrating the interlocking technique of the Ugandan xylophone, the amadinda.
"Baja" traditional/arr. Exit 9 -The steel pan, a native Caribbean instrument, is showcased here in this infectious calypso standard.
Q & A -A chance for audience members to ask musical, percussion-related, or other questions to the performers.
"Wheel of Fortune" by Peter Saleh/Exit 9 -Rudimental drumming on common objects, for starters. . .